Getting things started costs $

Why must all new endeavors be so freaking expensive?
Working on compiling a lampwork shopping list. So far: Devardi Glass Advanced Starter Kit ($193 or $199, depending on where you order from. Contains:  @5 lbs/80 rods of Devardi glass, 10 3/32″ mandrels, 1 3/16″ Pandora-style size mandrel – feh, 6 1/16″ mandrels, 8 Pandora inserts – double feh, 3″ x 4″ aluminum marver, handheld marver, lampworking torch – I already have one, purchased for enameling, but hey – the more the merrier – with stainless bracket – not sure what that is; maybe to hold the aluminum marver on the torch?, double-ended rake, bead release, cooling fiber blanket, 5 oz. of frit in random colors, aluminum heatproof desktop protector, 4 sets of tweezers, glass rod warmer to prevent thermal shock – a.k.a. you put your rod near the fire and it goes ‘splody, which, hey, seems like a good plan – stainless rod rest, instructional DVD which wasn’t well reviewed), rod rack for rod warmer, $5, Devardi Glass Mini Annealer (currently out of stock. Which is fine, because I currently don’t have the $ for the $200 starter kit, much less the $76 + ?$ shipping for the annealer, and the next two items on the list! That said… It’s a lot less than a $600 kiln PLUS all this stuff), ACE didymium over-glasses safety glasses ($53. They cut out the glare while lampworking while still allowing you to get a decent read on color. Supposedly. Dunno, we didn’t use them on Saturday), and various marvers to smooth the beads, and make them certain shapes/add grooves/make them groovy – $18 – $30 ea.
If the mini-annealer were in stock, we’d be looking at $352.48 in startup costs.
Again… if I were to remove the mini-annealer and pop in a real kiln (which I STILL hope to do, someday), it’d come to $882.48. That makes $352.48 seem positively affordable, in comparison, but it’s still high.
Decisions, decisions.
This is me, we’re dealing with, here – I’ve learned something new, which I both enjoyed and had pretty much immediate aptitude for (all but my very first bead, which is to be expected, and my very last bead, where I got ambitious) came out really quite shockingly well. Like, I would use these beads in a sellable product, well (if they’d been annealed. Which they weren’t. Which pretty much makes them shiny ticking time bombs, because they WILL shatter. One already has, and one is visibly cracked. ANYWAY…). This, predictably, makes me want to BUY ALL OF THE THINGS.
The voice of reason, quiet though it may be, says, “Do I REALLY want to do this? It’s a lot of money, and a lot of work. Will I USE this stuff/skill? I didn’t move forward with polymer clay.”
BUY ALL OF THE THINGS voice: “I’ll use it! I will! I spent $9 – $12 PER BEAD for lampwork beads at the last Innovative Bead Expo, for use in the kumi stuff I’ve been working on. OK, yeah, there’s an initial outlay to get started, but wouldn’t it be more FUN to be able to say that ALL OF IT was made by me, instead of just, y’know, ASSEMBLED by me? Plus… FIRE! MELTY GLASS! COLORS! SPARKLY THINGS! COME ON!!!!!!!”
Voice of reason: “You started off well, but then… way too many exclamation points. You know that, right?”
“Yes. But you’re also having a conversation with yourself, so it’s not like this is the thought process of an entirely sane person.”
“…Solid point.”

So… yeah. As per usual, a shopping list of shinies. As per usual, no $ to get them. Really – no $. Between the stupid %⅞ç{ing deck and the stupid %⅞ç{ing HOA payments, I’m tapped out, probably till August I can use a little $ here and there in the interim, but not enough to do much.
3 months. 3 months to forget everything I learned, & start over again. That worked out well, with enameling. *headdesk*
At least it gives me time to really work on the craft room (y’know, where all of this is supposed to end up going).
Patience is not a virtue I’ve got a whole lot of. *sigh*


It’s time to get things started.

OK, now I REALLY need to work on the craft room.
Thompson Enamels is raising their prices. 8% on enamels, 10% on everything else. So, predictably, I just placed an order for more enamel. Not a lot; just enough that I have a full rainbow of opaques (Orient Red & Sunset Orange I had, ordered Mellow Yellow & Hunter Green, already have a couple of blues, ordered Iris Purple – which I’ve wanted to order for, like, 2 years, but couldn’t justify the cost because purples are wicked expensive for some reason. Plus a couple of colors of 6/20 frit – foxglove purple, black and mellow yellow; I already had red, white and blue. The frit is good for Headpins, & making dots on stuff).
I’ve torch-enameled exactly once, since the original class. In the garage. In the middle of winter.  It went badly, but not TERRIBLY. About as badly as one could expect, given that I’d done it once, almost a full year before. But it being summer, now… ain’t doing this in the garage.
Between wanting to enamel, & wanting to get some metal clay studs done, getting the craft room into some kind of usable shape is imperative.
End of story.

Out of cheese error – redo from start.

Why must I have a million ideas, & no time, energy, or money to enact them?
Can I solder titanium post/stainless steel flat pad earrings to PMC stud earrings with Cool Tools’s Low Temperature Solder Paste? (I have everything I need to attempt this, with the possible exception of an annealing pan with pumice)
Ooh, I’d need lots of Gilder’s Paste to make the earrings (that I don’t even know if I can make work) pretty colors! Ooh! And molds! Lots of molds for studs!
I wonder if it’d be OK if I put mica dust in my homemade personal care products (that I haven’t even started making, yet)?
I need to get started on the kumihimo braids for the solid perfume lockets (lockets on order; may arrive sometime this MONTH; have not yet attempted any kind of solid perfume making. Ever); I need more of that dark blue variegated satin (have lots of satin. Have lots of VARIEGATED satin. Just NOT THAT COLOR.)
Translation: I MUST BUY ALL THE THINGS!!!!